The absolute stage: Hongkong's revolutionary opera

Rozanna Lilley

The absolute stage: Hongkong's revolutionary opera

Rozanna Lilley

Research output: Contribution to journal › Article › peer-review

Abstract

An analysis of a production by Hong Kong avant-garde performance group, Zuni Icosahedron, which questioned established genres of both Chinese and Western performance, including Revolutionary Operas.

Original language	English
Pages (from-to)	72-87
Number of pages	16
Journal	Social Analysis
Volume	38
Publication status	Published - Sept 1995

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title = "The absolute stage: Hongkong's revolutionary opera",

abstract = "An analysis of a production by Hong Kong avant-garde performance group, Zuni Icosahedron, which questioned established genres of both Chinese and Western performance, including Revolutionary Operas.",

author = "Rozanna Lilley",

year = "1995",

month = sep,

language = "English",

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pages = "72--87",

journal = "Social Analysis",

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AB - An analysis of a production by Hong Kong avant-garde performance group, Zuni Icosahedron, which questioned established genres of both Chinese and Western performance, including Revolutionary Operas.

M3 - Article

SN - 0155-977X

VL - 38

SP - 72

EP - 87

JO - Social Analysis

JF - Social Analysis

ER -

The absolute stage: Hongkong's revolutionary opera

Abstract

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