The absolute stage: Hongkong's revolutionary opera

Rozanna Lilley

    Research output: Contribution to journalArticlepeer-review

    Abstract

    An analysis of a production by Hong Kong avant-garde performance group, Zuni Icosahedron, which questioned established genres of both Chinese and Western performance, including Revolutionary Operas.
    Original languageEnglish
    Pages (from-to)72-87
    Number of pages16
    JournalSocial Analysis
    Volume38
    Publication statusPublished - Sept 1995

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