The absolute stage: Hongkong's revolutionary opera

Rozanna Lilley

Research output: Contribution to journalArticlepeer-review

Abstract

An analysis of a production by Hong Kong avant-garde performance group, Zuni Icosahedron, which questioned established genres of both Chinese and Western performance, including Revolutionary Operas.
Original languageEnglish
Pages (from-to)72-87
Number of pages16
JournalSocial Analysis
Volume38
Publication statusPublished - Sep 1995

Fingerprint

Dive into the research topics of 'The absolute stage: Hongkong's revolutionary opera'. Together they form a unique fingerprint.

Cite this