La emergencia de la musica en la teoria de la mente

Translated title of the contribution: The emergence of music from the theory of mind

Steven Robert Livingstone, William Forde Thompson

    Research output: Contribution to journalArticlepeer-review

    56 Citations (Scopus)


    It is commonly argued that music originated in human evolution as an adaptation to selective pressures. In this paper we present an alternative account in which music originated from a more general adaptation known as a Theory of Mind (ToM). ToM allows an individual to recognise the mental and emotional state of conspecifics, and is pivotal in the cultural transmission of knowledge. We propose that a specific form of ToM, Affective Engagement, provides the foundation for the emergence of music. Underpinned by the mirror neuron system of empathy and imitation, music achieves engagement by drawing from pre-existing functions across multiple modalities. As a multimodal phenomenon, music generates an emotional experience through the broadened activation of channels that are to be empathically matched by the audio-visual mirror neuron system.

    Translated title of the contributionThe emergence of music from the theory of mind
    Original languageSpanish
    Pages (from-to)83-115
    Number of pages33
    JournalMusicae Scientiae
    Issue number2 SUPPL.
    Publication statusPublished - Sep 2009


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