Time after theory: the cinema image and subjectivity

John Lechte

doi:10.1080/1030431022000018663

Time after theory: the cinema image and subjectivity

Research output: Contribution to journal › Article › peer-review

Abstract

Examines the concept of analytical and synthetic processes in cinema. Distinction between analytic and synthetic processes; Implications of analytic and synthetic processes for cinema; Doubts about cinema being analytical or synthetic.

Original language	English
Pages (from-to)	299-310
Number of pages	12
Journal	Continuum
Volume	16
Issue number	3
DOIs	https://doi.org/10.1080/1030431022000018663
Publication status	Published - 2002
Externally published	Yes

Keywords

films
knowledge (theory)
philosophy
symbolism
motion pictures

Access to Document

10.1080/1030431022000018663

Cite this

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KW - symbolism

KW - motion pictures

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