Transmitting passione: Emio Greco and the ballet national de marseille

Sarah Pini, John Sutton

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    2 Citations (Scopus)

    Abstract

    This work addresses the case of the Ballet National de Marseille (BNM) and the 2017 recreation of the piece Passione, created by the artistic directors Emio Greco and Pieter C. Scholten. This study, informed by a phenomenological approach, adopts ethnographic methods, including participant observation, in-depth interviews, and one researcher’s direct involvement with the practices of enculturation and enskillment in this dance form. It investigates how the dancers of the BNM articulate their diverse forms of agency in relation to the choreographer’s artistic vision and demands. By looking at the specific case of the BNM staging of Passione, we can isolate some significant features of contemporary ballet’s trajectory as an emergent dance genre on the edge between innovation and tradition.

    Original languageEnglish
    Title of host publicationThe Oxford handbook of contemporary ballet
    EditorsKathrina Farrugia-Kriel, Jill Nunes Jensen
    Place of PublicationNew York
    PublisherOxford University Press
    Chapter36
    Pages595-612
    Number of pages18
    ISBN (Electronic)9780190871529
    ISBN (Print)9780190871499
    DOIs
    Publication statusPublished - 2021

    Keywords

    • Enculturation
    • phenomenology
    • ethnographic methods
    • participant observation
    • dance
    • contemporary ballet

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