This article considers an international model of cultural arts exchange developed by Aboriginal, Māori and First Nations theatre-makers, and examines the process of negotiation, articulation and translation of cultural differences in the process of rehearsing new Aboriginal work. I would like to thank all the theatre-makers who are involved in this ground-breaking initiative and I credit all in the body of the article.
|Number of pages||22|
|Journal||Australasian Drama Studies|
|Publication status||Published - Oct 2018|
- First Nations