Abstract
Innovative and imaginative prosthetic limbs which extend the body out into the world of the surreal are playing a part in the generation of new possibilities for artists, performers and athletes with adaptive bodies. Artists such as Aimee Mullins in her work with Alexander McQueen and Matthew Barney, and performers such as Viktoria Modesta in their work with Sophie de Oliveira Barata of The Alternative Limb Project are leading the way in exploring this terrain.
This chapter explores the experiences of Erin Ball, the Canadian Contemporary Circus artist, in her determination to re-imagineer her adaptive body to perform in circus again, and to explore the creative world of surreal prosthetic limbs.
This chapter explores the experiences of Erin Ball, the Canadian Contemporary Circus artist, in her determination to re-imagineer her adaptive body to perform in circus again, and to explore the creative world of surreal prosthetic limbs.
Original language | English |
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Title of host publication | Circus, science and technology |
Subtitle of host publication | dramatising innovation |
Editors | Anna-Sophie Jürgens |
Place of Publication | Cham, Switzerland |
Publisher | Palgrave Macmillan |
Chapter | 3 |
Pages | 33-54 |
Number of pages | 22 |
ISBN (Electronic) | 9783030432980 |
ISBN (Print) | 9783030432973 |
DOIs | |
Publication status | Published - 2020 |
Publication series
Name | Palgrave Studies in Performance and Technology |
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Publisher | Palgrave Macmillan |
Keywords
- Prosthesis
- Circus
- Adaptive Body