Writing for the screen: beyond the gospel of story

Kathryn Millard

Writing for the screen: beyond the gospel of story

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Abstract

The author turns the focus on script gurus and popular psychology in evangelising Story and Structure. She considers writing as cinematic improvisation in the work of filmmakers including Chaplin, Wenders, Wong, Winterbottom and Van Sant. [Requires Flash Player v.9]

Original language	English
Journal	Scan: journal of media arts culture
Volume	3
Issue number	2
Publication status	Published - 2006

Keywords

script gurus
Michael Winterbottom
Gus Van Sant
Wim Wenders

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Mq-1945-Publisher version (open access)Final published version, 385 KBLicence: Unspecified

Cite this

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title = "Writing for the screen: beyond the gospel of story",

abstract = "The author turns the focus on script gurus and popular psychology in evangelising Story and Structure. She considers writing as cinematic improvisation in the work of filmmakers including Chaplin, Wenders, Wong, Winterbottom and Van Sant. [Requires Flash Player v.9]",

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year = "2006",

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AB - The author turns the focus on script gurus and popular psychology in evangelising Story and Structure. She considers writing as cinematic improvisation in the work of filmmakers including Chaplin, Wenders, Wong, Winterbottom and Van Sant. [Requires Flash Player v.9]

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KW - Michael Winterbottom

KW - Gus Van Sant

KW - Wim Wenders

M3 - Article

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VL - 3

JO - Scan: journal of media arts culture

JF - Scan: journal of media arts culture

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Writing for the screen: beyond the gospel of story

Abstract

Keywords

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